After having my mind blown wide open after photographing VidCon 2016, I knew I had to do something with the images I created. But it wasn't until after VidCon 2017 that I was able to sit down and produce the kind of promotional piece I thought the experience deserved. It also gave me a fantastic excuse to try out Newspaper Club! I'm beyond stoked with these gems!
Stoked to finally be able to make a post like this one. I've been wanting a new run of promo cards for a looooong while now, but never got to cross it off my list. But once I finished shooting and editing the corn/braces photo with Sophie, I was so happy with how it turned out, I knew I had to get back on the promo card wagon. I'm glad I did. Not only was the design process fun, but having a tangible result to show for the efforts is always a huge plus.
Earlier this week I actually found myself on a press check at Alphagraphics in Missoula, scoping things out and nit picking colors on a run of cards for myself. I am fascinated by the working of a printing press and could stare it the sheets clicking their way through the machine all damn day long. The folks over at Alphagraphics, whom I have worked with a ton in my time at RMSP, couldn't be nicer. It's always equal parts business, catching up with each other, and laughing at something.
I just received the finished products today, after this press check on Tuesday. I love how they turned out. If you want to see them for yourself, send me a message through my contact page, and give me your address. While you're at it, sign up for my newsletter. You'll get approx. one email a year.
Holy smokes. This was a rather awesome assignment! I mean, I knew back in November when I was asked to join a group of adaptive skiers and snowboarders on a cat skiing trip that I would be in for an insane adventure. But having actually gone and done it, and now being able to reflect on it, it's so much better. As with any assignment, one of the best parts is the curiosity and nervousness that exists before it starts. This project was no different.
My drive to Whitefish was super relaxing, and I was super curious about what I was getting into. With reports of icy roads, crazy avalanche conditions, and upwards of 4' of new snow in the previous week, I just had no idea what to expect. When I arrived, I met up with my crew - 7 adaptive athletes and several "powder hosts," who would helping out during the week - in a nondescript room in the lodge at Whitefish Mountain Resort. Coming in a bit late, I missed some of the introductions. But it meant I was right on time for a brief on-mountain avalanche refresher class. Never hurts. Also never hurts that the snowy peaks of Glacier National Park were the backdrop for the class.
The next two days were spent with Great Northern Powder Guides, riding in their insanely cool cat, up mountains, down roads, and all over the damn place. I kept pinching myself, saying "If the 23-year-old version of myself could see me now ..." This of course was in reference to all the damn days I spent boot packing or snowshoeing around the hills. Riding in the cat with the crew and hearing all their stories was beyond words. Humbling. Moving. Inspiring. Fun. Hilarious. All of the above.
Our runs were fun, although the snow had settled a TON and got kind of heavy under 50 degree temps. (Even though, there were plenty of stashes to be found). But the rides back to the top were the best. They allowed time to give (and receive) each other shit, talk, listen, laugh, close my eyes, and even watch some pretty great air keyboarding. Other highlights included: insane scenery, warm weather, blue skies, a fridge full of beer in the middle of the woods, the whole cat experience, fun dinners out with the crew, and meeting some of the coolest people I've had the good fortune to be around.
After the sleep deprivation exercise that is VidCon, I got to shoot a group photo of many of the VidCon attendees at Disneyland. Well, it's actually California Adventure or something like that, but having not slept that much for a few days, carrying a heavy camera bag, sweating profusely in the shadeless California sun, and feeling like a cow in the herd, I didn't really care which park I was in. I was just thankful that I had some pretty great volunteers to take me exactly where I needed to go. And before leaving for California I was told by the folks at Disney I wasn't eligible to have a ladder at my disposal since I wasn't an approved Disney photographer, or something like that. But to my surprise, my Disney contact met me there and couldn't have been a nicer dude. Turns out a ladder was no problemo! That means the rest was cream cheese!
The only real challenge I faced with this shot was how to make a group of this size – in direct sun, with limited time – look somewhat decent. Knowing that the situation was one of those, "it is what it is" kind of moments, I felt I had to do something outside of the normal photo bag-o-tricks to add some life to the finished product. My approach, first and foremost, was to have an approach. I knew if I showed up and just said "1, 2, 3 smile," the resulting photo would be pretty boring and stale. So, my game plan was to shoot three different "styles" of this situation. First was the simple, line' em up and shoot 'em down photo, or the CYA (cover your ass) photo. This was the boring "1,2,3 smile" approach. Nothing special, simple expose and compose. After that CYA shot was in the bag, my second plan was to switch lenses to a 15mm fisheye. This "trick" made the group look crazy, and the horizon all "bendy." This gave the whole scene a pinch of spice that otherwise was missing. Finally, my third plan was to shoot a sequence of the group doing the wave so that I could turn it into a .gif. I knew that even the slightest bit of motion, looping forever, would be eye catching when posted to various social media sites. Plus, aside from enjoying a resurgence in popularity right now, .gif's can be pretty hypnotic to watch.
A few years back, I jumped in to the world of microstock with both feet. I uploaded and keyworded like a machine. I've since scaled back a lot, but am still waiting for the truck load of dollars to arrive at my house. It's still fun though to see some of my images used in certain ways from time to time.
Yesterday I got an email from a friend with a link to an article. When I clicked into it I saw that one of my images of Missoula was used by CBS News in a story on the 20 Drunkest Cities in America. I definitely had a little laugh at this circumstance. Here is a link to the story. Here is the image:
Super stoked ... and rather proud ... to mention of this on the 'ol blog today. I just got word that the Montana Council of the Boy Scouts Of America earned five awards in the Boy Scouts of America President's Marketing Awards. It's an honor to be part of the creative team that has worked to put the MT BSA on the map ... visually. There were over 300 entries for this year’s awards. The council will be recognized at the national annual meeting in San Diego, CA at the end of May.
Check out the full brochure here:
Judges Choice – 2015 Calendar
Winner – 2015 Investment in Character and Leadership Brochure Packet:
- 2014 Annual Report,
- 2015 Camping Guide,
I had the privilege of photographing 89-year old Missoula icon Tomme Lu Worden at her University neighborhood home earlier this year. Tomme Lu's history with Missoula is incredible. As are the stories she can tell about this town and the people who make it tick. I photographed her as part of a video project I was working on which was about her boyfriend, Ty Robinson ... who at 100 years old, is slightly older than Tomme. :)
I guess it's not surprising that a retired lawyer, who was a partner in a big name firm for over 50 years, has an entire floor of a downtown building as a break room. Nor is it surprising that said floor is appointed with TV's and a bitchin' coffee machine that perfectly grinds the beans for each cup of coffee it makes. What is surprising is that said lawyer will absolutely insist that you let him make you a cup of coffee ... and will then proceed to let you pose him however you like for as long as you want. Hats off to you Bill Jones! You can see a finished portrait from this session in the People section of my site.
This behind-the-scenes images was taken as part of a video project for the MT Council of Boy Scouts.
Photo credit: Jory Dellinger
I had the pleasure of kicking off this year by photographing University of Montana President Royce Engstrom. The photo shoot was one of many shoots I lined up in conjunction with a larger video project I was working on for the Montana Council of Boy Scouts. The video was based on a local hero, centenarian, and all around amazing individual named Ty Robinson.
Here are a couple of images from President Engstrom's office of me in "action" taking his portrait and interviewing him about Ty. A final portrait from this session can be seen in the People section of my site.
Photo credit: Jory Dellinger
Back when I was a carefree runt with one skateboard and even fewer responsibilities, there were a number of "enclaves of debauchery" scattered around Missoula at which I would occasionally end up. For a while my own apartment was one of them. Another was simply called 418. One lease. Many people. Tons of fun. Among the fun-lovers at 418, was a guy named Chad Dundas. Being about the same age, and growing in Missoula, I had known Chad and his brother Zach Dundas for years. Both Chad and Zach were nice fellas who were known for playing in rock bands around town, and their ability to write. To my knowledge, both wrote for the Hellgate High School newspaper, and went on to Journalism school at the University of Montana.
The fact that we have some shared history makes it even cooler that my photo of Chad now graces the back cover of his first novel, Champion of the World, which will be published by G.P. Putnam & Sons on July 12, 2016. Some advanced copies made their way to town recently, and I got to hold it in my hands. I'm incredibly stoked for Chad's accomplishment, and honored to have my photo of him as part of the book.
photo via iPhone
In my day job as the "marketing" dude at Rocky Mountain School of Photography I wear many hats. Writer, designer, sometimes blogger, sometimes web updater, image editor, student-image-solicitor, email creator, envelope stuffer, photo contest manager, office-nap-taker, and on and on and on. I often compare it to the tentacles of an octopus, or better yet, to that arcade game, Whack-A-Mole. Remember that game? You held a big padded mallet in your hand and waited for the little varmints to pop up so you could beat the shit out of their faces? If you need a refresher see the image below. (Style points for the look of fierce determination and the bent knees).
I have learned that the word "marketing" is a buzz-filled, catch-all term that encompasses a bunch of tasks, and varies from business to business. I find it interesting that if three marketing dudes huddled around a table for beers, there is a good chance that one wouldn't have a clue how to do the other dude's job. But they're all in marketing. I don't think heart surgeons have this problem. Nor do accountants. Or garbage men. Lately I have been equating the word "portfolio" to the word "marketing." It's a must-have, wide-reaching, never-quite-finished situation. Like a slippery bar of soap. Or a pot of gold at the end of a rainbow. Just when you think you've got it, you don't. For me, a photographer who (for better or worse, usually worse) dances to the beat of several drums at the same time, creating a legit portfolio has never quite happened. I know, I know, a website counts. So does my Instagram account. So does a random Facebook album. But as far as a big, expensive book that one must handle like they'd handle the Mona Lisa ... I don't have one.
Why? It's not that I don't want one, or don't have the design chops to make it happen, or have the wherewithal to get it done. I mean there are tons of great options out there to assist. Social Print Studio's Photo Books look great. Blurb books work. Making a publication via issuu is an option too. Thus far it has simply eluded me, primarily due to attention span. I've pulled together collections in Lightroom, only to lose steam. I've tried printing contact sheets. Only to get hung up by the printing process.
However ... as I – once again – get more and more enamored with Rob Haggart's amazing aPhotoEditor site and Instagram feed on which he features various promos throughout the industry, the fire to get back on the portfolio horse is heating up. Along with list of other photo goals I have for myself in 2016, creating and circulating a portfolio book of my humorous portraits is near the top. These portraits are fun for me, and give me that elusive feeling of "who gives a shit if this goes anywhere, sells, or gets published" because I simply want to create them for the enjoyment I get out of it.
Like many photographers, I'm guessing, I watched the 60 Minutes profile on Danny Clinch without blinking, trying to absorb every single second. Rarely do I commandeer the TV in such an aggressive way, even denying my daughter the opportunity to watch a new movie the grandparents gave her for Valentine's Day.
But it was Danny Clinch. On 60 Minutes. That's notable. At least to me it is.
In case you missed it, or want to watch it over and over, here it is:
Ran across this quick little Q&A in the Montana Kaimin with my friend Chris Fairbanks today. The article ran with a few of my photos from a somewhat recent shoot with Chris. Love that Chris got some spotlight time for his show with Todd Barry in Missoula (which was completely great). Lame that the Kaimin ran the article with my photos, and never asked me ... or even told me it was happening. Double lame that the Kaimin is the U of M newspaper, produced by journalism and photojournalism students, who are taught to respect copyright. Triple lame that the photographer they dissed is also a graduate of the U of M J-School.
That, being me.
*shakes head and looks at ground in disapproval*
Seeing as how a grip of people in Missoula, and soon-to-be-heading-to-Missoula, are on the doorstep of the last Total Fest ... forever ... I felt the need to post a few images from TF's gone by. No, these aren't the super cool images of the first ever TF many would love to see, or an exhaustive archive of all things TF, nor is it a greatest hits post of your favorite band. Rather it's merely a way for me to share a few more images of some of the more recent TF's I have photographed leading up to this weekend when many stories are relived, old friends reunited, and the doors get blown off the hinges one last time. It's also my way to show my appreciation to everyone involved with making TF exist in the world. It may be ending, but it's not ending.
I am sure many echo my words and sentiments when I say that Total fest will be sorely missed. Not simply for the new music many were exposed to over the course of 14 years, but for all the fun, could-never-be-scripted moments that were a result of Total Fest existing in the first place. My hat goes off to the organizers and throngs of volunteers it took to pull off this Fest every year. For 14 years, hundreds of people got to enjoy three nights of rock because a handful of people worked their asses off for a long time.
Here's a few from Total Fest 2012. No particular order. No particular reason I chose these.
The 4th of July weekend was a busy one to say the least. My 40th birthday, a trip to the lake, family in town, and a quick trip north to the Garden of 1000 Buddhas and the 117th annual Arlee Powwow. (117 ...damn!). I haven't been to this powwow for years, but I have been itchin' to get there with my camera for a while now. Such colorful and personal image opportunities.
This past weekend marked the opening of phase 2 of the Big Sandy, MT skatepark. Last year, I wasn't able to make it to the much heralded Big Sandy weekend. But after hearing the stories and seeing how much fun was had, I knew I had to go this year ... 4+ hour drive, precious little sleep, 100+ degree temps, and mosquitoes be damned! The park was super fun and it was great to connect with people from around the state while watching some insane skateboarding.
The introduction to Pep's, nearly 5 a.m. bedtime, and soul-sucking temperatures really zapped my energy and motivation, but I was able to get a few images from the weekend though. Here's a few.
all images ©Andrew Kemmis
For 10 years now The Montana Skatepark Association has held its annual skateboard art auction, called ON DECK, to raise funds to help Montana communities build concrete skateparks. Myself, along with a couple of friends, started the MSA in order to get a park built in Missoula. We accomplished that goal, and since have helped in some way or another in towns including St. Ignatius, Helena, Glendive, and are currently working with Stevensville.
I have had the pleasure of photographing the custom built works of art since the inception of ON DECK. Photographing between 30 and 50 decks is a chunk of work, and presents 30 - 50 unique challenges, but all in all it is always a terrific experience. ON DECK 10, which went down on May 1 was a huge success - we raised over $20,000 for skateboarding. Damn!
To see the decks included in this year's auction, check out montanaskatepark.org/ondeck.
I had a chance to spend a few days in Seattle last month. I was there for a photo workshop, which was a fantastic experience, which is still very vivid in my mind. Before and after the course, I got to do one my absolute favorite things: arrive in a new place and stroll around aimlessly looking for compositions. I made what I could of the time I had. Here's a couple.
It might have been about 15 degrees outside, but conditions were great inside skating the Bass Bowl last weekend. Here's a couple shots of Randy and Keenan.
I've been working on pulling together a new site lately. While I am really liking the new platform, and the way images are displayed, learning a new system has its challenges.